Embrace Of The Serpent Download Torrent

Posted By admin On 11.01.21
1
Original title
El abrazo de la serpiente
Year
2015
Running time
125 min.
Country
Colombia
Director
Screenwriter
Jacques Toulemonde,Ciro Guerra
Music
Cinematography
David Gallego (B&W)
Cast
Nilbio Torres,Antonio Bolívar,Jan Bijvoet,Brionne Davis,Yauenkü Migue,Luigi Sciamanna,Nicolás Cancino
Producer
Co-production Colombia-Venezuela-Argentina;
Ciudad Lunar Producciones,Buffalo Producciones,Caracol Televisión,Dago García Producciones,MC Producciones,Nortesur Producciones
Genre
Adventure. Drama Nature
Synopsis / Plot
The story of the relationship between Karamakate, an Amazonian shaman and last survivor of his people, and two scientists who work together over the course of 40 years to search the Amazon for a sacred healing plant.
Awards
2015: Academy Awards: Nominated for Best Foreign Language Film
2015: Cannes Film Festival: Directors’ Fortnight: Art Cinema Award
2015: San Sebastián Film Festival: Nominated for Best Latin-American film
2015: Mar del Plata Film Festival: Best Film - Golden Astor
2015: Independent Spirit Awards: Nominada a Best Foreign Film
2015: Macondo Awards: 8 Awards including Best Film & Director
2015: Ariel Awards: Best Latin-American Film
2015: 4 Fenix Awards: Best Direction, Cinematography, Original Score & Sound
2015: Hamptons International Film Festival: Honorable Mention for Narrative Feature
2015: La Havana Film Festival: Best Music, Best Editing
2015: Forqué Awards: Nominated for Best Hispano American Film
2016: Platino Awards: 7 Awards including Best Film & Direction
Critics' reviews
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Ranking Lists Position
  • 39My Top 10 Movies from 2015(109)
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But this film from Colombian writer-director Ciro Guerra seems averse to letting a mysterious image or poetic moment linger onscreen, and in the mind, without instantly using it as a springboard to talk about the conflict between whites and the natives they're exploiting (even when the whites are scientists who fancy themselves more enlightened than the typical industrialist or soldier). There is nothing hugely wrong with the movie, but also nothing amazing about it—aside from the mere fact of its existence, of course, which is nothing to sneeze at. Shooting a feature on location in the jungle is no joke, as Werner Herzog, a director whose spirit hovers over the production, learned when he shot such Film Director vs. Nature dramas as 'Aguirre, the Wrath of God' and 'Fitzcarraldo.' The jungle waters are filled with snakes, some constricting and others poisonous, and the likelihood of contracting some horrible disease or perishing in an accident must've weighed on the crew's mind. Around each new river bend is a metaphor, a fact that Guerra understands and isn't shy about exploiting. The film's opening credits play out over shots of a immense anaconda giving birth to baby snakes, a sequence with heavy Biblical overtones that works equally well as an analogy for colonialism (one era's invasions of the Garden of Eden inevitably giving birth to another's) or for the resilience of the land and its people. But despite this image and many others like it, the movie never becomes particularly visionary, much less trippy. It's an earthbound, prosaic story that plays by most of the usual commercial storytelling rules.

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The movie's two major white characters are loosely based on real individuals. One is the German ethnologist Theodor Koch-Grunberg, who in the early 20th century explored the Yapura River and the Rio Negro to the border with Venezuela. The other is the American psychedelic researcher and botanist Richard Evans Schultes, who studied Amazonian ethno-botany in the 1940s. The earlier researcher is named Theo here, and played by Jan Bijvoet of Borgman. He arrives in the story suffering from malaria and requiring homegrown medicine and a certain amount of nursing and hand-holding. The other character has been named Evan (Brionne Davis), an American who is searching for a plant called yakruna, which grows on rubber plants and improves their quality; he seems to be retracing Theo's route, and even has some of his journals in a knapsack.

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Embrace Of The Serpent Wikipedia

The connective tissue between eras is the character of Karamakate, the last of the Cohiuano. The character is played as a young man by Nilbio Torres and as an older man by Antonio Bolivar. The filmmakers might as well have scored portions of the movie with The Who's 'Won't Get Fooled Again,' because that's the core struggle of Karamakate, who has good reason to believe that no good can come from helping white men, but relents when Evan shows up with his horn-rimmed glasses and gentle demeanor.